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Living An Artist's Life
In this post I share a video showing how I shoot with a large format 8x10 analog film camera and another video about how process the film in the darkroom. I hope you enjoy seeing the new artworks too!
To make images for the Sustain series I choose to use an 8"x10" film camera to make large format negatives because I love the super high resolution detail look that can be obtained by such a large negative.
These are a few of my favorite images that resulted...
In my Sustain series, I always include a bit of the urban environment to convey the urban agriculture/ sustainable living concept of the work. Last week I tried shooting through the fence for the first time. My intention is to use this image to make a mixed media digital tintype, but I also like it in color. What do you think of the resulting composition? Do you like it in color or do you think you would prefer it in black and white? (The black and white version is reversed in order to prepare for the transfer process, which will bring it back to the right reading orientation.) Please comment with your thoughts, thanks!
After initial frustrating attempts at snowflake photography on my artist residency at the Vermont Studio Center, I finally got a snowstorm where the conditions were just right. It turns out that windy storms break up the snowflakes into little pieces and stick them back together in jumbled clumps of ice crystals. In the last week there was a singular day of soft gentle snowfall all day and I took over 300 photographs of individual snowflakes. I saw forms and shapes which I had never seen before due to the lower temperatures in Northern Vermont. I played with photographing the flakes in different states from the perfect natural forms and then with my breath gently I encouraged their melting and photographed their disappearance. I want use the symbol of snowflakes to express themes of the delicate balance of climate systems that are being disrupted. I plan to explore printing these image sequences using materials that evoke delicacy, preciousness, and fragility. I tried an experiment with a lace Kozo paper which had the texture of freshly fallen snow. I made a sequence of image transfers over gold leaf. I loved the results until I sprayed it with a preservative spray which greatly altered the appearance of the paper to more transparent and glossy. Above you can see the before and after results in the transformation of the paper surface. To get the look I am aiming for will require further experimentation with materials.